If climate trends mean anything, we have maybe three weeks of hot-to-warm weather ahead, and that’s just about perfect for some reading that will lighten and maybe enlighten your mind, refresh your spirit and maybe cool your body.
Our relationship with the ocean is undergoing a profound transformation. Whereas just three decades ago nearly everything we ate from the sea was wild, rampant overfishing combined with an unprecedented bio-tech revolution has brought us to a point where wild and farmed fish occupy equal parts of a complex and confusing marketplace. We stand at the edge of a cataclysm; there is a distinct possibility that our children’s children will never eat a wild fish that has swum freely in the sea. In Four Fish: The Future of the Last Wild Food, award-winning writer and lifelong fisherman Paul Greenberg takes us on a culinary journey, exploring the history of the fish that dominate our menus—salmon, sea bass, cod and tuna—and examining where each stands at this critical moment in time.
The Castle in Transylvania is a never-before translated tale by Jules Verne, the master of science fiction, and one of his few writings about the supernatural. This eerie gothic story set in a forgotten valley in the mountains of Transylvania, where demons and vampires menace the populace, pits a young stranger against the forces of evil and superstition.
Over the course of his 60 years, Christopher Hitchens has been a citizen of both the United States and the United Kingdom. He has been both a socialist opposed to the war in Vietnam and a supporter of the U.S. war against Islamic extremism in Iraq. He has been both a foreign correspondent in some of the world’s most dangerous places and a legendary bon vivant with an unquenchable thirst for alcohol and literature. He is a fervent atheist, raised as a Christian, by a mother whose Jewish heritage was not revealed to him until her suicide. In other words, Christopher Hitchens contains multitudes. He sees all sides of an argument. And he believes the personal is political. Hitch-22 is the very entertaining story of his eventful life.
James Salter is an author with an impassioned following among contemporary readers, writers, and critics, and Dusk and Other Stories is among his signal achievements. First published nearly a quarter-century ago, and one of the very few short-story collections to win the PEN/Faulkner Award, this is American fiction at its most vital—each narrative a masterpiece of sustained power and seemingly effortless literary grace. These stories chart the myriad moments and details that, taken together, shape a fate. Two New York attorneys newly flush with wealth embark on a dissolute tour of Italy. A divorced woman learns that she is about to lose the last thing of real value to her. An ambitious young screenwriter unexpectedly discovers the true meaning of art and glory. A rider, far off in the fields, is involved in an horrific accident—night is falling, and she must face her destiny alone.
Tad Friend’s family is nothing if not illustrious: His father was president of SwarthmoreCollege, and at Smith his mother came in second in a poetry contest judged by W.H. Auden—to Sylvia Plath. For centuries, Wasps like his ancestors dominated American life. But then, in the ‘60s, their fortunes began to fall. As a young man, Tad noticed that his family tree, for all its glories, was full of alcoholics, depressives, and reckless eccentrics. Yet his identity had already been shaped by the family’s age-old traditions and expectations. Part memoir, part family history, and part cultural study of the long swoon of the American Wasp, Cheerful Money Me, My Family, and the Last Days of Wasp Splendor is a captivating examination of a cultural crack-up and a man trying to escape its wreckage.
In taut, exquisite prose, Kevin Canty explores the largest themes of life—work, love, death, destruction, rebirth—in the middle of the everyday, in Everything: A Novel. On the 5th of July, RL and June go down to the river with a bottle of Johnnie Walker Red to commemorate Taylor’s 50th and last birthday. Taylor was RL’s boyhood friend and June’s husband, but after 11 years, June, a childless hospice worker, finally declares she’s “nobody’s widow anymore.” Anxious for a new beginning, June considers selling her beloved house. RL, a divorced empty-nester, faces a major change, too, when he agrees to lodge his college girlfriend, Betsy, while she undergoes chemotherapy. Caught between Betsy’s anguish and June’s hope, the cynical RL is brought face-to-face with his own sense of futility, and the longing to experience the kind of love that “knocks you down.” Set in Montana, reflecting the beauty of its landscape and the independence of its people, this is a shimmering novel about unexpected redemption by a writer of deep empathy and prodigious talents.
In Jazz Age New York, there was no place hotter than the Clarkstown Country Club, where celebrities such as Leopold Stokowski mingled with Vanderbilts, Goodriches, and Great War spies. They came for the club’s circuses and burlesques but especially for the lectures on the subject at the heart of the club’s mission: yoga. Their guru was the notorious Pierre Bernard, who trained with an Indian master and instructed his wealthy followers in the asanas and the modern yogic lifestyle. In The Great Oom, Robert Love traces this American obsession from moonlit Tantric rituals in San Francisco to its arrival in New York, where Bernard’s teachings were adopted by Wall Streeters and Gilded Age heiresses, who then bankrolled a luxurious ashram on the Hudson River-the first in the nation. Though today’s practitioners know little of Bernard, they can thank his salesman’s persistence for sustaining our interest in yoga despite generations of naysayers.
Nineteen-year-old Nayeli works at a taco shop in her Mexican village and dreams about her father, who journeyed to the US when she was young. Recently, it has dawned on her that he isn’t the only man who has left town. In fact, there are almost no men in the village-they’ve all gone north. While watching The Magnificent Seven, Nayeli decides to go north herself and recruit seven men—her own “Siete Magníficos”—to repopulate her hometown and protect it from the bandidos who plan on taking it over. Filled with unforgettable characters and prose as radiant as the Sinaloan sun, Luis Alberto Urrea’s Into the Beautiful North is the story of an irresistible young woman’s quest to find herself on both sides of the fence.
The Periodic Table is one of man’s crowning scientific achievements. But it’s also a treasure trove of stories of passion, adventure, betrayal, and obsession. The infectious tales and astounding details in The Disappearing Spoon: And Other True Tales of Madness, Love and the History of the World from the Periodic Table of the Elements by Sam Kean, follow carbon, neon, silicon, and gold as they play out their parts in human history, finance, mythology, war, the arts, poison, and the lives of the (frequently) mad scientists who discovered them. We learn that Marie Curie used to provoke jealousy in colleagues’ wives when she’d invite them into closets to see her glow-in-the-dark experiments. And that Lewis and Clark swallowed mercury capsules across the country and their campsites are still detectable by the poison in the ground. Why did Gandhi hate iodine? Why did the Japanese kill Godzilla with missiles made of cadmium? And why did tellurium lead to the most bizarre gold rush in history?
In 1837, after years of struggling with alcoholism and depression, the great nature poet John Clare finds himself in High Beach—a mental institution located in Epping Forest on the outskirts of London. It is not long before another famed writer, the young Alfred Tennyson, moves nearby and grows entwined in the catastrophic schemes of the hospital’s owner, the peculiar, charismatic Dr. Matthew Allen, as well as with his lonely, adolescent daughter, and a coterie of mysterious local characters. With remarkable lyrical grace, the cloistered world of High Beach and its residents are richly brought to life in The Quickening Maze by Adam Foulds, an affecting and enchanting book.
In a deeply compelling debut novel, The Canal, Lee Rourke tells the tale of a man who finds his life so boring it frightens him. So he quits his job to spend some time sitting on a bench beside a quiet canal in a placid London neighborhood, watching the swans in the water and the people in the glass-fronted offices across the way while he collects himself. However his solace is soon interrupted when a jittery young woman begins to show up and sit beside him every day. Although she won’t even tell him her name, she slowly begins to tell him a chilling story about a terrible act she committed, something for which she just can’t forgive herself—and which seems to have involved one of the men they can see working in the building across the canal. Torn by fear and pity, the man becomes more immersed in her tale, and finds that boredom has, indeed, brought him to the most terrifying place he’s ever been.
Humor Me is a literary cavalcade of contemporary American funnymen—and funnywomen—of the page. Selected by the renowned humorist Ian Frazier and featuring more than 50 pieces of the greatest comic writing of our time, the book includes such masters of the form as Roy Blount, Jr., Bruce Jay Friedman, Veronica Geng, Jack Handey, Garrison Keillor, Steve Martin, and Calvin Trillin, as well as work by newer comic stars like Andy Borowitz, Larry Doyle, Simon Rich, George Saunders, and David Sedaris. The pieces were published in the past 30 years in such popular magazines as The New Yorker, McSweeney’s, The Atlantic, National Lampoon, and Outside. But the book also includes a handful of older comic masterpieces that nobody in need of a laugh should ever be without, among them classics by Bret Harte, Elizabeth Bishop, Donald Barthelme, and Mark Twain.